Working with clients

I have had the pleasure to work with some wonderful people. It is, at it’s best, a collaboration between designer and client. The more I get to know the client, the more fruitful the relationship becomes. I like to make clothes that are not so trendy that they go out of style in a season. Classics that are well made and well designed can last for years! These were all made recently for one client.

wool plaid dress with self fringe and generous pockets - made for client

cotton flannel Pajamas with novelty wool trim - snap front closure and optional belt - for client

doubleface wool jacket with gold zips and subtle windowpane plaid pants - for client

wool plaid jacket with plaid buttons, wool voile shirt, and wool pants

Japanese cotton jacket with silk lining, self frogs and patterned buttons over Aboriginal cotton dress

frog and button detail - Japanese cotton jacket

Cotton Matelassé dress

Wool coat over linen dress

detail - linen curve dress and wool coat

Linen curve dress withe kantha cloth piping - coordinates with Kantha coat

Celestial Suiting

Since the solstice and a very busy November and December I have been ensconced in my atelier meditating and working on new designs. It is always so informative to interact with the array of women who come to my sales and see their reactions to the samples and what they end up going home with. Their needs and desires ultimately influence what I come up with in the coming months. I am happily surprised to see that many of my patterns work on different sizes and shapes of bodies.  This is an ever-evolving pursuit-  to come up with figure flattering and flexible shapes.  I have replenished my stock of Wax-print fabrics and I find it very cheering to have a bit of color around me and to think ahead to warmer weather.  

Tailored suit in a silk/wool blend, inspired by Dior

This "Raj" jacket is convertible into different configurations-  a simple fitted style or the pull back beribboned version shown here.

wax-print jacket with optional silk tartan bows

a blue version of my "poppy" dress in wax-print cotton is an   example of  a figure-loving dress

wax-print cotton - with selvage-edge finishing-    size 4  -  12     in various prints -  $475. - $575.   depending on customization   

wax-prints before washing

This was a magical December night of the super moon (which I didn't manage to capture) but it seems to be reflected in  this taffeta moirè fabric which I made into a Qipau. . .

silk moirè taffeta from Paris

I met this bright young student on New Year's Eve who wanted to try on my flower crown-  Happy New Year everyone!  Let's try and stay positive!

Best Dressmakers and custom Tailors in NYC

The wonderful Linda Dyett originally wrote this article for the online magazine NY City Women from which I have excerpted here.

suit and dresses by Elizabeth Cannon

Custom-Made Womenswear

New York City’s couture-dressmakers, tailors and custom-fitters are on the rebound. Here’s a guide to 10 who make the cut.

by Linda Dyett

We consumers—especially midlife and older Americans—are paring down our wardrobes and shopping less and less these days—but we’re also spending more for higher-quality wearables that express our individuality and suit us to a T. And after a decade of online point-and-click purchases, a lot of us are also eager to return to hands-on service in brick-and-mortar surroundings. 

Enter custom-made—the artisanal antidote to fast fashion. Long the province of moneyed elites, celebrities, and mothers of the bride, custom dressmaking and tailoring are today also attracting regular women, who aren’t necessarily in the market for a dress to wear to a black-tie event. These new customers are ladies with style intuition, who know the cuts, fabrics, and colors they want when they see them. And with dozens of hours of pattern-making, cutting, sewing (sometimes by hand), and intricate multiple fittings, custom-made confers an optimal fit that disguises a bulging waist, out-of-shape hips, thighs, and arms, droopy breasts, posture slump, spinal curve, and other figure flaws.  

Of course couture dressmakers and tailors come at a price. While I’ve located one who’ll work up one of her off-the-rack $100 to $400 dresses in a different size for no extra fee, most charge $240 and up for custom-made blouses and shirts; $500 and up for made-to-measure  (a widely used industry term referring to garments derived from a standard pattern); and $1,500 and up for made-to-order dresses and suits. These are hardly bargains, but they compare so favorably with higher-end, A-list designer ready-to-wear that plenty of women, once they’ve tried New York couture, won’t switch back.

Here’s a rundown of some of the city’s most celebrated as well as off-the-beaten-track dressmakers and tailors who excel in couture and made-to-measure. Just keep in mind: what they offer isn’t seasonal fashion; it’s all about personal, individual style that you can hand down to your daughter or granddaughter, who’ll cherish it as much as you do. Appointments are essential almost everywhere, and finished garments take at least a month—sometimes several—to produce. 

Elizabeth Cannon

Ensconced in a ground floor London Terrace studio, Elizabeth Cannon is that impossible-to-find accessible couturière whom stylish, independent-minded New York women dream about. Having honed her trade making costumes for the Paris Opera Ballet, her inspirations ranging from the Commedia dell’arte to Cocteau, she’s been designing made-to-order one-offs with a lyrical urban edge  since 1980. Her clients? “Very decisive” artists, musicians, gallery owners, and entertainment executives, as well as members of the Trisha Brown Dance Company. “Nothing has ever fit me so perfectly,” says one delighted customer. “It’s as if Elizabeth were channeling Schiaparelli,” says another. 

Cannon does couture by the book, using custom-padded dressmaker forms, muslins (initial mock-ups in an inexpensive fabric), and sometimes interior boned corsets. She also offers a signature collection of off-the-rack casual day- and eveningwear ($500 and up, though prices can plummet to $100 at frequent sales) that can be altered to fit. Outstanding items: A New Look-style silk shantung dress and jacket for a mother of the bride ($3,500); a silk-cotton blouse and heavy silk floral-print skirt with reinforced corseted yoke for a mother of the groom ($2,800); an African wax-print summer dress ($750); a belted, striped men’s shirting chemise, ($575, readymade; $750, made-to-order) that riffs on the frock Francoise Gilot wore in an iconic 1948 photo strolling along a French beach with an umbrella-wielding Pablo Picasso. Elizabeth Cannon Couture, 460 West 24th St., 212.929.8552.   

the full article appears here