This is the first dress I made (this time around) which began my fascination, or re-infatuation, with African wax-print fabrics. I first encountered these fabrics in Paris sometime in the 1980’s in one of the fabric shops at the base of Sacrè -Cœur. I hadn’t really thought about them for a while, when a few years ago I was given a salesmans’ swatch book from AK Fabrics, one of my favorite fabric stores. This was comprised of square pieces of various sizes. One day I decided to open it up and I just began to pin each one onto a dress form in the order that they came in. It was entirely serendipitous, and became the dress you see here. Each side is so different, I wanted to show them all and the pieced-together patchwork, born of necessity. Underneath it all I added a structure of a cotton dress with boned bodice and horsehair hem skirt. Though this dress has been sold, you can view other dresses for sale here.
Dressmaker
Studio Notes
I haven't posted for the last few months, but am excited to share some of what I've been working on. My studio and work have been a refuge. As always, art has been a part of my life and directly inspiring to my couture. Clients have brought me exciting fabrics to work with and some older pieces have returned for a brief visit. Color is always an important factor.
Rothko Paintings at Pace Gallery, Chelsea
Amber velvet Dress with a lace Bolero (unfinished) modeled as a tunic by Mary Jones
The colors in these Ron Gorchov Paintings at Cheim and Read Gallery in Chelsea are so lucious
work in progress
More to come soon. . .